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Messages - Aunty Stitches

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Access All Accessories / You can have too many bags!
« on: January 24, 2021, 19:56:18 PM »
I got into bag making initially to have something I could embellish with embroidery, appliqué etc. I progressed from converting jeans to using patterns, then got hooked.

I have made loads, supplied myself, my friends and friends of friends. I take commissions as it challenges me to move outside my comfort zone. I have used different hardware, zippers, foam wadding and interfacing and quite a few indie designer patterns.

I had just started to assemble a collection big enough for a stall at our local country fair when lockdown started. Now they are packed in boxes gathering dust. I don’t want to start a business, or open a business account, so I guess I am stuck with them for now.

It means I don’t want to make any more. I don’t need a bag to stay at home. So sad.☹️  [ You are not allowed to view attachments ]  


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I would just love to re-produce some of the embellishments (and I think @Aunty Stitches has done some lovely stitching), but I don't know which book to buy.

I don't need all the patterns as I've got things that I have self drafted and/or tweaked for years.  But I would like the outlines for the reverse appliques, and the grids for the stitches.

Can anyone who has the books suggest which one (not ones hopefully) I need?

The grids are in “The geometry of hand sewing” by Natalie Chanin (£12.95 from the book depository with free shipping). It has two clear Mylar sheets with multiple grids.

The A line tunic and bolero are the Magdalena stencil, the Swing skirt and Classic Cardigan were done with New Leaves, both included in the book you don’t need!

You can buy the stencils direct from Alabama Studio online, then download, print, assemble and trace them onto A1 or XL Mylar (from the stencil studio) then cut them out with a heat pen. I have bought two more from them.

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I have cut stencils before, so I already had a heat pen and heatproof cutting board! If you try this with a knife it is very hard work and very hard to get good curves.

Then you need to buy fabric paint, which I water down up to 50% to make one 2oz bottle do a whole garment.! I used an old kitchen scourer sponge for the tunic, then treated myself to a foam roller.

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I didn’t say it a was quick or simple process to prepare.... then there is the embellishment and hand sewn construction.... this is why the finished garments fetch such high prices in the states.

As I said, I was overwhelmed when I watched the Craftsy course, but you just have to take it one step at a time!


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Just to say, many of the models in the book wear some truly appalling outfits (especially footwear!) and I can’t understand how anyone can like the messy look of the knots on the outside, or unfinished edges.

My choices are always for the knots inside, the seams inside AND felled, and I add the neckline binding to all the hems. If anything sticks out where I don’t like it I bury it!

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I also couldn’t bear to use fold-over elastic as there was no way to get a colour match. So on my Swing skirt I hand sewed a length of clear elastic on instead, zig-zagging a running stitch to hold it in place. Then I bound the edge to match the hem binding I had added. It seems to be working just fine!

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To ensure good stitches when sewing the binding on, I used the templates from Natalie Chanin’s book “The Geometry of Hand Sewing” and a very fine chalk pen (the Prym extra fine cartridge pencil) to mark the stitches. If you look carefully you can see dots I didn’t need for my choice of stitch round the Cardigan neckline.

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Hand sewing them together is actually quite fast, they are simple constructions and I use a running stitch. Felling the seams strengthens them as well as looking good.

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 :dance: :laughing: :thumbsup:

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@Aunty Stitches

Welcome.

Gave you a follow on Instagram too. I'm the one with the album full of horribly out of focus discoloured photos.

 0_0

Well I have to say I can’t see anything answering that description following me!   :laughing: I have Aunty Stitches and Aunty Stitches bags (as I needed somewhere to put them all!) so what are you called over there?

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Two substantial books arrived yesterday; the first one with techniques and the pattern book with the CDs.

Whilst I love the look of the reverse applique and beading I'm not sure about the unfinished look of hems just cut and left raw, nor am I keen on the knots on the outside.

I have plans brewing (and :fabric: ordered  0_0 ) for something with all the hand embellishing but constructed with the overlocker.

Me too! I do all mine with the knots inside, and I add binding to all my hems.

.... I have added more pics in the gallery

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 :laughing: :thumbsup:

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Love the skirt, how long does it take to make a garment?

According to my Instagram feed I started on 28th August and finished on 15th September. Remember I am at home full time, no kids, and keen. That said, we don’t get up very early!


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These are all beautiful - if you ever tire of it, you can send that gorgeous tunic and bolero to me!

I also love hand sewing, but having never made an entire garment by hand (well, except doll's clothes when I was very young!), I am in awe.

I could send it to you, but it might not fit!  :facepalm:

I found the whole process soothing, and it did seem to come together a lot quicker than I expected. I dare not wear any of it until the puppy is a bit more mature.

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Back in 2013 I bought Natalie Chanin’s on-line Craftsy Course “Hand-Embellishing Knit Fabric: Stenciling, Appliqué, Beading and Embroidery”. I watched it and looked at the Vogue pattern that came in the post, and decided it was all too much. Apart from anything else the jacket would require 6 metres of fabric to make!

Then in lockdown I watched her new video (as it was free at the time) and got re-enthused! I bought her book “Alabama Studio Sewing Patterns” as it has ALL her previous patterns in, plus some new ones AND a couple of stencils all on a cd, and I started my hand sewn wardrobe. (P.S. I have cut my own stencils before, and if you want to try it message me for the best equipment!)

I have made knit clothes before, the best being the Baby Doll dress from the “Sew-U Home Stretch” book by Wendy Mullein, but I have to say I found the hand sewn version very relaxing. I have now made the A line tunic, the Classic Cardigan, the Swing Skirt and the Bolero, all between July and October 2020.

I have now gone on and used one of my self-drafted patterns (from another Craftsy Course, “Pattern drafting from ready-to-wear”) and sewn a tunic top by hand. I just find it more enjoyable that using my machines, and quite strong and stable enough to withstand being pulled on and off over my head!

And it looks fab!




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  I learnt to do dressmaking and embroidery at school, in the 60s and 70s and it has always been a part of my life. Back then I made my own clothes and also toys and dolls. In the last 15 years I have done a lot of appliqué and free motion machine embroidery, mainly to decorate aprons.

I have learnt how to make bags (with hardware) and use hand embroidery, silk ribbon embroidery and appliqué to embellish them.

I have also learnt new skills from several Craftsy online courses. I did Pattern Drafting from Ready-to-Wear by Stefanie Lincecum and Hand-Embellishing Knit Fabric: Stenciling, Appliqué, Beading and Embroidery by Natalie Chanin. I also found Piece, Patch, Quilt: Basic Quilt-making Skills with Gail Kessler useful!

I have done various curtain and garment alterations (as required by my non-sewing friends and family) usually helped along by a YouTube video!

I used to write regular posts for sew-what’s-new.com, now sew-what’s-new.net, but it got lonely as I seemed to be the only active member, and I gave that up in 2019.  I have also written guest posts for Chris W Designs, an Australian bag pattern designer. I have an Instagram page (also aunty stitches) and happily respond to queries and appeals for help from other sewers on there.

Lockdown was fine as it gave me more time to sew, but I now have two crates full of bags I had hoped to take to a Craft Fair, and no room to store more!

A new white puppy  :woof: with sharp teeth and claws put a stop to my sewing the ornate Alabama Studio garments, and as my sewing room is my conservatory it is far too cold to be in there now!

So I am looking for inspiration, involvement and perhaps entertainment whilst sat next to the fire, dreaming of sewing something new as soon as a heater is enough to keep me warm in my sewing place!

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