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Messages - Elnnina

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526
Yes there is an Air Ambulance in Norfolk - it is  based at the Norfolk and Norwich Airport and thus part of East Anglia, and their other place is based over at Cambridge, so why not contact them and ask about whether they will accept your quilts - thus this could then be your place to donate your quilts after all the Air Ambulances wherever they are do a magnificent job.  (a good few years ago now my daughter's then partner came off his motorbike on a country road - no one else involved and he had to be air lifted to the John Radcliffe Hospital in Oxford - this was New Year's Day - they didn't expect him to make it but he did - so wherever there is an Air Ambulance base I am sure they would welcome any sort of donation)

527
Embroidery and Embellishment / Re: Free motion embroidery
« on: November 05, 2019, 23:25:30 PM »
Wow Justpottering, that is quite beautiful - if you can get hold of the book I mentioned yesterday you will enjoy experimenting even more.  You have got further than I have - this is something I have wanted to do for years, but never had the time to try it out for real.  By the way did you know that you can get a sprung loaded hoop - I think mine are by Madeira and come in two sizes so if you need to reposition you just press the two butterfly clips together and move the fabric a little and let go - this is all done whilst the fabric is under the needle.  I shall look forward to seeing what else you can do - now just enjoy the process and have fun.

By the way another book for you to look out for is The Art of Embroidery by Julia Barton.  Julia did her City and Guilds a good few years ago now and she then decided to hold a few classes on a Saturday for machine embroidery and I must say she made it look so easy, my efforts were nothing compared to hers.  She did say however that it had taken hours upon hours of practice to run the machine at a speed she could handle and move the fabric in the hoop.  At this time I suppose this must have been back around the early 80's and these Saturdays were connected with Missenden Abbey and their Summer School although the classes I attended were held in another school across the road from the Abbey.  At that time Julia lived in Amersham.  At one time her book was considered very rare and was fetching extraordinary high prices second hand, they have dropped in price considerably now thank goodness.

528
Embroidery and Embellishment / Re: Free motion embroidery
« on: November 04, 2019, 16:25:14 PM »
Justpottering there are some  gorgeous books about by Liz Hubbard (sadly she passed away far too early age 46 in November 1990) on free motion embroidery - a hardback book called Thread Painting published by David and Charles, my copy has the most beautiful scarlet poppies mixed in with wheat on the cover - it looks stunning, then there is a smaller paperback booklet called Gutermann Thread Painting and this one is published by  Search Press.  Both books have used Gutermann threads, and at the time of publishing Gutermann used to offer their thread reels in special packs of threads so Poppies a range of reds through to oranges, Marigolds were yellows and light oranges, Greenwood were greens and  of course there were other pack colourways as well.  Each reel in the pack was only 50mtrs and there were 10 reels to each pack.  Liz also used some paints to colour wash fabric before stitching, so say a sky, and then she would embroider a landscape picture using mostly zigzag stitch and the results absolutely stunning.  She also has sewn cottages, gardens, river scenes - all are so pretty.  Liz used to go into schools where she lived and got children to design their own pictures and stitch them out.

Another author of free motion embroidery is Alison Holt and her book is called Machine Embroidered Landscapes published by  Batsford.

Have a look on abebooks UK website, or perhaps Amazon market place for these books.  By the way you do not have to have a super fancy machine to be able to do this, Liz's machine was a Bernina Matic 803   so think back to around 1970's for this machine - the hard back book was published 1988.  There is a good section at the front of the book showing you how to go about using your machine to create  free machine embroidery so that is helpful.

Hope this is helpful to you for whatever you are trying to achieve with this type of embroidery - go and have fun.

529
One of the best things you can do to get to know your overlocker - regardless of the make - is to download  the Sewing Mastery booklet which was for Bernina overlockers but do not be put off by this, have a look back on TSP for the link to this which was posted by Morgan, you can then steadily work through the various pages attaching your sewn samples and that should help you both with understanding and sewing with an overlocker - good luck.

530
Hello Jessie, firstly congratulations on your newest addition to the family, I believe this is making you a great grandmother - so again congratulations.  So baby Lottie  has surprised everyone by arriving early, she just didn't want to miss out on everything.  Your baby quilt is just gorgeous and isn't Lottie the lucky one to receive this - something rather special.

Now I have recently seen the adverts for yet another new I believe Disney film -  Frozen II - so I am wondering whether this means you are going to have to have another round of sewing yet more dressing up costumes - Lilya's wardrobe must be groaning at the seams, but I have no doubt that she has grown out of the earlier costumes that you have made.

I was so sorry to hear that you had been ill again, and so glad that you are back on the mend, now just take things easy and gradually ease back into work.

531
Vintage Machines / Re: Treadle find.....may end up mine!
« on: October 26, 2019, 12:25:41 PM »
Well done Rubywishes, she looks beautiful.  How on earth can anyone get a cabinet in that state, and I know you will have great joy in cleaning this up and making it look presentable as well as tinkering with the machine and replacing any parts that need to be sorted.  Have you looked at all the bits and pieces in the drawers yet?

You have just whetted my appetite for a treadle, only the type of treadle base I would love to have is a black wrought/cast iron one - perhaps one day.

Enjoy your new machine.

532
In the wardrobe / Re: Embroidered crushed velour top
« on: October 26, 2019, 12:15:44 PM »
That is one classy top - well done, you have every right to be pleased with this despite all the hassle of dealing with the bits of velvet.  Please where did you get your design from and what was it called?  Thanks in advance.  Now go and give your machines some loving care and attention, they will thank you for it.

533
Flobear regarding blind hemming, it does take a bit of getting used to, but the best thread I have found for using this method is Madeira Monofil No.60 this really is an ultra fine filiment and comes in two colours clear or smoke.  Now do not use the Madeira Monofil No.40 that is far too thick.

I used the No.60 on some Thai silk lining and it is lovely.

Now a very long time ago there was something I think called Perilusta and that is what they were using for blind hemming  and at that time it only came in a thickish thread and was horrible to use.  This new Madeira Monofil is gossamer like and comes on a reel a bit like the Sylko used to come in, and it holds 1000mtrs. (whereas the No.40 reel only holds 500mtrs).

Yes this Madeira is not easy to find, so I doubt very much any local thread place would stock this so it means looking further afield, but as you can see one reel of each is going to last you a very long time.

Incidentally I found that the instruction manual for the 830 Record is really clearly laid out and so easy to follow how to do things.  I have inherited my mothers 830 Record and this is my main go to machine these days as it had not been used too much, like all Berninas they are a joy to sew with, and when this first came to me I added a few extra feet, and one of those was the Edgestitch Foot No.10.  You can probably still get some of the old style feet and if you want to may I recommend using Bernina's own  warehouse down in Cardiff - the ladies there are so very helpful and it is always a quick dispatch, and they will ensure you get the right foot for your particular machine.  The Cardiff warehouse phone number is  029 2079 2079 and two of the ladies down there are Rachel and Jackie - they really do go the extra mile for you.

Also when I inherited my machine, at the time I came across some Sewing Leaflets produced by Bernina possibly for a later machine than my 830 Record, but I scoured various machine shops and the internet looking for these leaflets and have found them extremely useful, they comprised a set of 24 and they are called Bernina Sewing Service and cover all the feet and their uses, there are a few for the overlocker attachments.  Then I came across something else produced by Bernina and these were called Bernina Collection - I do not know how many they produced as I only have a few but again lots of lovely ideas showing you how to use your machine to its full potential.  I just need to find the time to stop and play.

By the way Bernina seem to have had a promotion going on through the year and have been offering foot of the month and often these have been reduced by a fair amount, so it is worth going and looking from time to time to see what they are offering.  www.bernina.com  and this is their own website.

534
Flobear being a Bernina foot, I would say that it is either the edgestitch foot No.10 for later models, or it is the blind hemmer foot, believe these are the only two feet that have that black piece of metal on them.  However I am not sure if these earlier Bernina feet were numbered, some are on my 830 Record, whilst others are totally blank.  You could find that this will be a very useful foot not only for what you have just stitched but try it for a bit of blind hemming and also using it as an edgestitcher.

On my 830 Record which is a later machine to the 801 the blind stitch foot has a number 016 and this is up just under the part that fits on to the machine,  on the edgestitch foot the number is lower down on the white piece.

535
The Haberdashery / Re: Ironing in style
« on: October 18, 2019, 12:52:16 PM »
With regard to an ironing board for a steam generator iron, it is necessary to have a mesh board, however if you are sitting down to do the ironing and using a lot of steam, make sure your knees are out of the way - I gave myself a nasty scald from the steam and it took a very long time  heal.

536
The Haberdashery / Re: Ironing in style
« on: October 16, 2019, 15:05:53 PM »
Annieeg I think the nearest of the Brabantia boards on the Amazon page would be the Titan Oval - it only has these two curved legs, and is especially made so that you can sit down.  Sadly though mine does not have the 'well' for putting the steam generator tank in - for some reason back in 2003 this 'well' only came on a cheaper board.  Anyway I get around this by standing the steam generator tank on an offcut of some 'floating floor'  that is placed right beside me and thus protects the carpet.  I have also found that I can buy some  ironing board felt in John Lewis (where I bought my board in the first place, and also get replacement covers) - by the way with the replacement covers you get more 'suspenders' with them.  So I have a generous layer of felt which goes over the foam that covers the mesh, and then the cover.


I have in the past unpicked the binding that goes around one of the  old bought covers, and then used this binding when I have made  some smaller covers on my sleeve boards - this particular binding - the way it is made, makes for less bulk when pulling the cover up especially on such a small board.  As for my sleeve board, my son made me a super one, really heavy and solid and sturdy, and I have a choice of two sizes of board.  Again I covered these with some of the ironing board felt and then some sheeting.

Hope this helps, only other thing I can suggest is that if I charge my camera up and take a photo of the underside of the ironing board - but that will have to be later today as I know the camera needs charging up.  But I do think the Titan Oval one is a very good match.

You won't regret having such a big board, makes ironing so much easier, and of course this lives in my sewing room but is folded up against  the wall area.  For sitting, I using a discarded office chair that has no arms on, but it does have wheels and this is just right and easy to move around.

537
The Haberdashery / Re: Ironing in style
« on: October 16, 2019, 10:46:21 AM »
I bought one of those huge Brabantia ones back in 2003 when I was about to make my daughter's wedding dress, I deliberately wanted this particular one because the chunky tubular legs are at the back of the board so I would be able to sit down to do the ironing if necessary.  Well now it is necessary for me to sit down, and I am so glad I bought this  - not cheap mind you, but has been so worth it.  I agree it is huge, but it makes such a difference when ironing sheets and the like, freshly washed but as yet uncut fabric.  Don't feel guilty Gernella if buying another board is going to help you in your day to day life, then why not have this,  Let us hope that your OH is not around when the new board arrives - then ignorance will be bliss!!!

538
Sewing Spaces and Furniture / Re: Kenora's new sewing room
« on: October 14, 2019, 19:44:48 PM »
Kenora, thank you for your lovely comments.  I inherited my mother's machine back in 2002, and in 2003 my daughter got married and I made  her wedding dress, bridesmaids dresses and my own outfit.  The tension on straight stitch on my Elna was playing up a little so I used the Bernina 830 for the bulk of the sewing on all the wedding items, however I have an exquisite stitch on the Elna, again not on the Bernina, and that is a decorative scallop satin stitch so I used this firstly on the petticoat and the bottom tier of the net, then my daughter decided she wanted more oomph under the dress but no hooping, so I made another whole skirt of net and then packed the entire back with tiers upon tiers of more netting and each tier was also edged with this lovely scallop stitch which was sewn over some perle cord, then days before the wedding I was asked to make a veil and for this to have large scallops all edged with this smaller scallop stitching.  We got there in the end thank goodness.   However I then decided that it was time that my Elna was looked at and as nobody knew whether the Bernina had ever been serviced that this should also have a service so both machines went off and were away at the same time - my service place was not local.  So I was without my machines for a while, but luckily it did not matter too much as I needed a break from the intensity of all the months of sewing.

Shame if you could not use the sewing cabinet's platform, but seeing again how your room is set up can understand.  I must admit my wedding sewing was done in my lounge with the cabinet only being moved out the night before the wedding.  Now though both my kids have left home I have one of the bedrooms as my sewing room and yes this is lovely to have, only I still have far too much stuff and could do with more room.

Anyway don't let my rambles spoil your enjoyment of your lovely sewing room, and fingers crossed that you can eventually have all of that cupboard for your sewing stuff and stash.  I have no doubt that when you use your older machine on the cabinet top  that you will be thinking of your Dad.

539
Sewing Spaces and Furniture / Re: Kenora's new sewing room
« on: October 13, 2019, 14:21:28 PM »
What a lovely room and of course now full of lovely memories.  Your Dad was very talented and skillful - the sewing cabinet does look just like a Horn cabinet.  You say it still has the lift in it, so have you thought of using this for your spare machine - I appreciate that the newer Bernina may not fit in through the opening.  Incidentally I much prefer sewing in the lower position with the plexi around the machine I even use my overlocker this way as well.  I appreciate that you may not have a plexi to fit around your older machine, but you can get these cut by Horn, they have templates of every machine made, the only downfall is the cost of these.  Also a few years ago they offered the opportunity to have a whole blank plexi for your cabinet so that you could use this as a light box.

Please don't go getting rid of your older machine, it really is so handy to have a spare, you never know when you will need this machine, and around here if you take a machine in for a service it could be away for a few weeks.  I also like using different machines, as each has something different to offer.  I have a 1975 Elna SU a machine I bought myself and that has the most marvellous triple straight stitch on it ideal for sewing in sleeves and the trouser crotch seam as it has some give in it.  Then I inherited my mother's 1975 Bernina 830 Record, and strangely this does not have this fabulous triple straight stitch and is limited to just 20 utility or decorative stitches whereas my Elna has loads and loads of decorative and utility stitches obtained through drop in discs.  I also love corded buttonholes and used to do these on the Bernina 830, and they are easy to do.  Then I bought a Bernina Artista with its embroidery unit, and now prefer to do my buttonholes on this as it is computerised and can repeat buttonhole after buttonhole effortlessly when all the sensors are kept clean.  The Artista also has the facility to stitch out a wider pattern being a 9mm width whereas the two older machines have a limited width.  I use all my machines a lot, and have three out at the moment.

Enjoy your little place of tranquility I am sure you will spend many happy hours in there, and as for the wallpaper that is gorgeous.  Love the shelf units too - what a find - and well done you on persevering with the painting of them.

540
I was in a show shop buying a couple of pairs of shoes, and the assistant walked off to pack them.  When I got to the counter to pay, she handed me two carrier bags with my shoes in, and I said I wanted the boxes as I keep my shoes in boxes.  She was not best pleased with me and I do not know why - she hadn't even asked if I wanted the boxes.  Anyway behind her was a huge pile of assorted boxes (not broken down) so she retrieved my boxes and I spied some boot boxes, one was a 'Padders' with a hinged lid, and the other is a huge flat 'Ecco' box 36x59x11.5cm and I put my work in progress in there, it sits alongside where I am working.  so once a garment is cut out this goes in the box along with any left over fabric, and everything else needed for making this up, interfacing, pieces of the pattern until I have finished with it and it does help keep things in one place, and being so big it can even hold a garment folded up whilst it is being made without it being squashed.  These boxes are free, so well worth frequenting your show shop and ask what they have.  Otherwise these boxes just get broken up and disposed of.

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